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"But you have nothing to sit on." "Forgive me: it was an ugly word," he says, "I take it back. I shall never forbid you to do anything, Mona, if my doing so must bring that look into your eyes. Yet surely there are moments in every woman's life when the man who loves her, and whom she loves, may claim from her obedience, when it is for her own good. However, let that pass. I now entreat you not to go again to Ryan's cabin." Alas! how soon will fall upon him that eternal sleep from which no man waketh!.

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"Why, Mona, what is this?" exclaims he, his manner changing on the instant from indignation and coldness to warmth and tenderness. "You are crying? My darling girl! There, lay your head on my shoulder, and let us forget we have ever quarrelled. It is our first dispute; let it be our last. And, after all," comfortably, "it is much better to have our quarrels before marriage than after." 'My night has no eve, Mrs. Geoffrey, thus addressed, rouses herself, and says, "What can I do for you?" in a far-away tone that proves she has been in thought-land miles away from every one. Through her brain some words are surging. Her mind has gone back to that scene in the conservatory last night when she and Paul Rodney had been together. What was it he had said? What were the exact words he had used? She lays two fingers on her smooth white brow, and lets a little frown—born only of bewildered thought—contract its fairness. "You have never told me how many people are in your house?" says Mona, presently. "Tell me now. I know about your mother, and," shyly, "about Nicholas; but is there any one else?".