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"How strange!" says the duchess, with an amused smile. "Are you quite sure of that?" At this Sir Nicholas gives way and laughs out loud, whereon Mona laughs too, though she reddens slightly, and says, "Well, of course the piano will do, though the fiddle is best of all." "Well don't go to Dublin, at all events," says her mother, plaintively. "It's wretched form.".

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"If he's goin' to squat there for the night,—an' I see ivery prospect of it," says Mickey to himself,—"what on airth's goin' to become of me?" Geoffrey is quite dumb, and stands gazing at her surprised at the amazing change a stuff, a color, can make in so short a time. Beautiful she always is in his sight, but he wonders that until now it never occurred to him what a sensation she is likely to create in the London world. When at last he does give way to speech, driven to break his curious silence by something in her face, he says nothing of the gown, but only this. "How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more." It is a very curious little room they enter,—yet pretty, withal, and suggestive of care and affection, and certainly not one to be laughed at. Each object that meets the view seems replete with pleasurable memory,—seems part of its gentle mistress. There are two windows, small, and with diamond panes like the parlor, and in the far end is a piano. There are books, and some ornaments, and a huge bowl of sweetly-smelling flowers on the centre-table, and a bracket or two against the walls. Some loose music is lying on a chair..