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"As you have refused to explain your presence here to me, you shall remain where you now are until help arrives," says Mona, with evident determination.,

She ceases, her work accomplished. The others in the room grow weak with fear, as they tell themselves that things are growing too dreadful to be borne much longer. When the silence is quite insupportable, poor little Dorothy struggles to the front.,

Mona, who has blushed rosy red at his kiss, is now beaming on her lover, and has drawn back her skirts to admit of his coming a little closer to her. He is not slow to avail himself of this invitation, and is now sitting with his arm thrown across the back of the wooden chair that holds Mona, and with eyes full of heartfelt gladness fixed upon her.,

She is comforted in a small degree by his words, but fear and depression still hold her captive. She insists upon his leaning on her, and he, seeing she is bent on being of some service to him, lays his hand lightly on her shoulder, and so they go slowly homeward.

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"He may; but how little in comparison! Nobody need be thought of but my poor Nicholas," persists Doatie, who has not read between the lines, and fails therefore in putting a proper construction upon the faint delicate blush that is warming Violet's cheek.,

By this time they have reached Dorothy's room, and now, sitting down, gaze mournfully at each other. Mona is so truly grieved that any one might well imagine this misfortune, that is rendering the very air heavy, in her own, rather than another's. And this wholesale sympathy, this surrendering of her body and mind to a grief that does not touch herself, is inexpressibly sweet to her poor little friend.,

On a low bed, with his eyes fastened eagerly upon the door, lies Paul Rodney, the dews of death already on his face.,

At first the light of the lamp—so unlike the pale transparent purity of the moonbeams—puzzles her sight; she advances a few steps unconsciously, treading lightly, as she has done all along, lest she shall wake some member of the household, and then, passing her hand over her eyes, looks leisurely up. The fire is nearly out. She turns her head to the right, and then—then—she utters a faint scream, and grasps the back of a chair to steady herself.