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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

He seemed convinced by these enquiries at the wharves that at all events Mr Lawrence could have had nothing whatever to do with the communication which Mr Adams had seen Paul place in the hands of Miss Lucy. Who, then, was the sender of the note, and how was it that Paul, who should have been on board his ship since she was on the eve of sailing, should have been engaged to carry the letter? There was really no particular reason why the writer should be a man. Why should not she be a woman? She might even be[Pg 196] a relative of the fellow Paul. Lucy was a girl of singular kindness, who was always helping others and going amongst the poor and ministering to the afflicted; and though Captain Acton could not positively say, he might readily believe that she had one or two or three poor sufferers on her list whom she saw to and helped with her purse, and one of these—possibly a woman—might have written the letter in a moment of urgency intending it for delivery at Old Harbour House.,

"What's she a-doing' of here?" enquired Pledge, pulling away his plate heavy with meat and fat.,

A faint smile lighted up the features of Mr Lawrence, who slightly moved his head to cast his eyes upon her.

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Scarcely had the ball of satin-white smoke, belched from the cannon's mouth, been shredded by the wind and carried low over the heads of the breaking seas in rags and lengths like pieces of a torn silk veil, when the helm of the barque was put down, stun-sail halliards were let go, all in such a hurry that the sails fouled the booms and yard-arms, and painted a scene of confusion aloft, that might have stood as a perfect picture of panic[Pg 432] at sea; the yards on the main were laboriously hauled around and the main topsail backed and the barque was at rest, rolling and tumbling very uncomfortably with a great deal of flying and flapping aloft, one man at the wheel, two men standing close beside him in a posture of waiting, and the fore-part of the bulwarks from the gangway to the fore-rigging lined with the heads of the crew.,

Mr Greyquill shrugged his shoulders.,

"Nary a word but I asked him what he intended to do with the Scroggie hardwoods. He told me that he had sold it to a lumber company. He says there'll be a big camp of cutters and sawyers down here this winter. I said I supposed he'd be goin' back to the States jest as soon as he got things cleared up here, an' you ought to see the queer look he gave me.,

As evidence that Mr Lawrence was improving in general esteem, a brief conversation passed at Old Harbour House on the fourth evening following the day of the loss of the letter. Captain Acton had invited some friends to a rubber of whist. Sir William Lawrence was to be amongst the guests, but as he lived near he was always late, explaining that the fact of his living near excused him for taking plenty of time. Miss Lucy was lovely in black muslin spangled with stars as the hair is dusted with gold.