"I can give it a dozen. It's a kind of fourth dimension. It's a presence, a perfume, a touch. It's a soul, a story, a life. There's ever so much more here than you and I. We're in fact just three!" Fleda colored; she hesitated. "Because he's too stupid!" Save on one other occasion, at which we shall in time arrive, little as the reader may believe it, she never came nearer to betraying to Mrs. Gereth that she was in love with Owen. She found a dim amusement in reflecting that if Mona had not been there and he had not been too stupid and he verily had asked her, she might, should she have wished to keep her secret, have found it possible to pass off the motive of her action as a mere passion for Poynton.!

"They're beyond me—I give it up," said Mrs. Gereth. "My just giving everything back?"

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. Fleda gave a dim smile. "You make me at least feel that I'm learning to know you very well when I hear you say such a thing as that. Mrs. Brigstock came to get round me, to supplicate me," she went on; "but to find you there, looking so much at home, paying me a friendly call and shoving the tea-things about—that was too much for her patience. She doesn't know, you see, that I'm after all a decent girl. She simply made up her mind on the spot that I'm a very bad case." "It's too wonderful, what you've done with the house!"—the visitor met her friend's eyes. They lighted up with joy—that friend herself so pleased with what she had done. This was not at all, in its accidental air of enthusiasm, what Fleda wanted to have said: it offered her as stupidly announcing from the first minute on whose side she was. Such was clearly the way Mrs. Gereth took it: she threw herself upon the delightful girl and tenderly embraced her again; so that Fleda soon went on, with a studied difference and a cooler inspection: "Why, you brought away absolutely everything!"