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On the wall hung a gilt-framed portrait, which rumor said represented Ebenezer Wopp, a wreath of carefully made wax flowers, a silver coffin-plate framed and bearing the name and date of demise of Mr. Wopp’s mother, and two or three colored chromos.,

“Well, why don’t you go along, Mrs. Lancaster? Don’t prize babies have attendants?”,

“Jiminy! I’ll have time in the morning,” he said aloud, and hurried on, not slackening his speed till he came to a sharp turn that took the road against the face of a rugged mountain. He hid his wheel and can in a tangle of rose vine and snowdrop, and stood out on the edge of the steep bluff that overhung the rushing river. There bloomed the island. Near the centre a rocky point was aflame with gorgeous poppies; and Billy could smell the fragrance of the snowy wild heliotrope,—pop-corn the children called it.,

“Now Moses,” announced his mother, “Jist for a change an’ rest like, turn this here separator.”

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Across to the girls’ side he flew. He knew Jean. She would manage somehow, no matter what the difficulty. And he did not trust her without reason. She was already in her shining misty robe that was to change her from Rain to Dew; but she caught the gray mantle, covered herself with it as she ran, and was in the wings almost as soon as Billy.,

Billy didn’t wait. Like all generous natures that are slow to anger, the passion once aroused possessed him to madness. He raced down the turnpike, his face aflame. Ahead he could see the Dorrs’ horse and buggy standing near the fence. Jimmy was on the ground beside the Twins; and Billy saw the whip descend more than once before he arrived. Had he known it the blows were make-believe, for moral effect alone. Jimmy was giving a lesson that his Southern breeding made him think necessary, if painful.,

She took a step, but he caught her hand. “I don’t care if I am, he mustn’t see—no one must,—I didn’t mean you should. Besides, I walked home and brought my wheel; I’ll live, I guess,—I’m too mean to kill.” He put his stiff, swollen hand over his face. “It’s Jimmy that’s in danger.” A new note of terror came into his voice as he remembered the pale face and limp arm; he had never seen a fighting boy look so before. “I’m afraid Jimmy’s hurt inside, mother. What if he should die?”,

CHAPTER VII.—THE LITTLE CHURCH IN THE COULEE.