Fleda scarcely heard his words; something new had suddenly come into her mind. "When you went to Waterbath after seeing me," she asked, "did you tell her all about that?" "Perhaps you've a right to say that you left it a little to mine." Mixed up with the spoils there, rising before him as if she were in a manner their keeper, she felt that she must absolutely dissociate herself. Mrs. Gereth had made it impossible to do anything but give her away. "I can only tell you that, on my side, I left it to her. I never dreamed either that she would pick out so many things."!

"Dear, no; say that you'll go up to town and meet him." It was bettered, the broad hint; and Fleda felt this to be still more the case when, returning to the subject before they went to bed, her companion said: "I make him over to you wholly, you know—to do what you please with. Deal with him in your own clever way—I ask no questions. All I ask is that you succeed." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"

"I doubt if they'd bear it again!" "Up to this time," said Fleda, after a pause, "your mother has had no doubt of my being on hers." "It's none of their business, is it?" was Owen's unexpected rejoinder. Fleda had already noted that no one so slow could ever have had such rapid transitions.