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The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. “Bully for you, Ladybird. I’ve got a backer you see, sister.” Yet the impression of the night had been deep enough to wake him before the sun rose. He dressed quickly, astonished the chickens with an early breakfast; put fresh sand in the coop; climbed the windmill tower to oil the bearings of the big wheel; and put the lawn mower in order, but remembered in time that to use it would wake the sleepers..

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“You hitch Jethro to yer ole ’xpress waggon, ’n I’ll hitch Job to a prune-box with spool-wheels,” suggested Betty. “Mebbe them new seed catalogue folks cheated us, Mar,” he suggested. Billy laughed. “Mixed again, mamma. This is Vilette,” he drew one bashful little girl nearer the stranger, “and this is Evelyn, Echo, we call her.” Several others were summoned and returned with remarkable reports. At last two high-pitched little voices called in concert down the[160] stair: “The Royal Seeress will rend the veil of futurity for William Bennett.”.