In knowing a while before all she needed, Fleda had been far from knowing as much as that; so that once upstairs, where, in her room, with her sense of danger and trouble, the age of Louis Seize suddenly struck her as wanting in taste and point, she felt that she now for the first time knew her temptation. Owen had put it before her with an art beyond his own dream. Mona would cast him off if he didn't proceed to extremities; if his negotiation with his mother should fail he would be completely free. That negotiation depended on a young lady to whom he had pressingly suggested the condition of his freedom; and as if to aggravate the young lady's predicament designing fate had sent Mrs. Gereth, as the parlor-maid said, "up the back road." This would give the young lady more time to make up her mind that nothing should come of the negotiation. There would be different ways of putting the question to Mrs. Gereth, and Fleda might profitably devote the moments before her return to a selection of the way that would most surely be tantamount to failure. This selection indeed required no great adroitness; it was so conspicuous that failure would be the reward of an effective introduction of Mona. If that abhorred name should be properly invoked Mrs. Gereth would resist to the death, and before envenomed resistance Owen would certainly retire. His retirement would be into single life, and Fleda reflected that he had now gone away conscious of having practically told her so. She could only say, as she waited for the back road to disgorge, that she hoped it was a consciousness he enjoyed. There was something she enjoyed; but that was a very different matter. To know that she had become to him an object of desire gave her wings that she felt herself flutter in the air: it was like the rush of a flood into her own accumulations. These stored depths had been fathomless and still, but now, for half an hour, in the empty house, they spread till they overflowed. He seemed to have made it right for her to confess to herself her secret. Strange then there should be for him in return nothing that such a confession could make right! How could it make right that he should give up Mona for another woman? His attitude was a sorry appeal to Fleda to legitimate that. But he didn't believe it himself, and he had none of the courage of his suggestion. She could easily see how wrong everything must be when a man so made to be manly was wanting in courage. She had upset him, as people called it, and he had spoken out from the force of the jar of finding her there. He had upset her too, heaven knew, but she was one of those who could pick themselves up. She had the real advantage, she considered, of having kept him from seeing that she had been overthrown. "Read it?"!

"About bringing home to you?"—Fleda encouraged him. "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.

Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more. "That gives me a pull!" Fleda returned, smiling. The girl's heart gave a tremendous bound; the right way dawned upon her in a flash. Obscurity indeed the next moment engulfed this course, but for a few thrilled seconds she had understood. To send the things back "for her" meant of course to send them back if there were even a dim chance that she might become mistress of them. Fleda's palpitation was not allayed as she asked herself what portent Mrs. Gereth had suddenly perceived of such a chance: that perception could come only from a sudden suspicion of her secret. This suspicion, in turn, was a tolerably straight consequence of that implied view of the propriety of surrender from which, she was well aware, she could say nothing to dissociate herself. What she first felt was that if she wished to rescue the spoils she wished also to rescue her secret. So she looked as innocent as she could and said as quickly as possible: "For me? Why in the world for me?"