It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck. "The strain of what?"!

"What you always do—to see what he wants." Mrs. Gereth dismissed the maid. "Tell him Miss Vetch will come." Fleda saw that nothing was in the mother's imagination at this moment but the desire not to meet her son. She had completely broken with him, and there was little in what had just happened to repair the rupture. It would now take more to do so than his presenting himself uninvited at her door. "He's right in asking for you—he's aware that you're still our communicator; nothing has occurred to alter that. To what he wishes to transmit through you I'm ready, as I've been ready before, to listen. As far as I'm concerned, if I couldn't meet him a month ago, how am I to meet him to-day? If he has come to say, 'My dear mother, you're here, in the hovel into which I've flung you, with consolations that give me pleasure,' I'll listen to him; but on no other footing. That's what you're to ascertain, please. You'll oblige me as you've obliged me before. There!" Mrs. Gereth turned her back and, with a fine imitation of superiority, began to redress the miseries immediately before her. Fleda meanwhile hesitated, lingered for some minutes where she had been left, feeling secretly that her fate still had her in hand. It had put her face to face with Owen Gereth, and it evidently meant to keep her so. She was reminded afresh of two things: one of which was that, though she judged her friend's rigor, she had never really had the story of the scene enacted in the great awestricken house between the mother and the son weeks before—the day the former took to her bed in her over-throw; the other was, that at Ricks as at Poynton, it was before all things her place to accept thankfully a usefulness not, she must remember, universally acknowledged. What determined her at the last, while Mrs. Gereth disappeared in the shrubbery, was that, though she was at a distance from the house and the drawing-room was turned the other way, she could absolutely see the young man alone there with the sources of his pain. She saw his simple stare at his tapestries, heard his heavy tread on his carpets and the hard breath of his sense of unfairness. At this she went to him fast. "Alone?"

"I know you can, or I shouldn't dream of speaking. When the pressure was removed she came up again. From the moment the house was once more what it had to be, her natural charm reasserted itself." There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't had, but they had had in every corner of Europe their swing among the Jews. It was fascinating to poor Fleda, who hadn't a penny in the world nor anything nice at home, and whose only treasure was her subtle mind, to hear this genuine English lady, fresh and fair, young in the fifties, declare with gayety and conviction that she was herself the greatest Jew who had ever tracked a victim. Fleda, with her mother dead, hadn't so much even as a home, and her nearest chance of one was that there was some appearance her sister would become engaged to a curate whose eldest brother was supposed to have property and would perhaps allow him something. Her father paid some of her bills, but he didn't like her to live with him; and she had lately, in Paris, with several hundred other young women, spent a year in a studio, arming herself for the battle of life by a course with an impressionist painter. She was determined to work, but her impressions, or somebody's else, were as yet her only material. Mrs. Gereth had told her she liked her because she had an extraordinary flair; but under the circumstances a flair was a questionable boon: in the dry places in which she had mainly moved she could have borne a chronic catarrh. She was constantly summoned to Cadogan Place, and before the month was out was kept to stay, to pay a visit of which the end, it was agreed, should have nothing to do with the beginning. She had a sense, partly exultant and partly alarmed, of having quickly become necessary to her imperious friend, who indeed gave a reason quite sufficient for it in telling her there was nobody else who understood. From Mrs. Gereth there was in these days an immense deal to understand, though it might be freely summed up in the circumstance that she was wretched. She told Fleda that she couldn't completely know why till she should have seen the things at Poynton. Fleda could perfectly grasp this connection, which was exactly one of the matters that, in their inner mystery, were a blank to everybody else. "She was stored in an empty barn—stuck away for a sale; a matter that, fortunately, I've had neither time nor freedom of mind to arrange. I've simply, in my extremity, fished her out again."