Flossie caught sight of the clock and jumped up. “Who was it said that woman would be the last thing man would civilize?” she asked. In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.!

“I’ve only asked a few,” she explained, as she led Joan into the restful white-panelled sitting-room that looked out upon the gardens. Madge shared a set of chambers in Gray’s Inn with her brother who was an actor. “But I have chosen them with care.” The crowd gave way to them, and they had all but reached him. He was hatless and bespattered, but his tender eyes had neither fear nor anger in them. She reached out her arms and called to him. Another step and she would have been beside him, but at the moment a slim, laughing girl darted in front of him and slipped her foot between his legs and he went down.

“He’s right,” said a dreamy-eyed looking man, laying down the book he had been reading. “We should have done just the same. ‘My country, right or wrong.’ After all, it is an ideal.” Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained. Mrs. Phillips’s conversion Joan found more difficult than she had anticipated. She had persuaded Phillips to take a small house and let her furnish it upon the hire system. Joan went with her to the widely advertised “Emporium” in the City Road, meaning to advise her. But, in the end, she gave it up out of sheer pity. Nor would her advice have served much purpose, confronted by the “rich and varied choice” provided for his patrons by Mr. Krebs, the “Furnisher for Connoisseurs.”