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“What’s the use of goin’ to a dance and settin’ sleepin’ like one of them spinxes, Ebenezer?” she expostulated as she roused him from his slumbers. The good lady herself had danced almost incessantly until her face had taken on the hue of a ripe pippin. May Nell sat still and smiled modestly. Billy stared at her, feeling still more foolish over his own mistake. “My poor lamb, my little darling,” she said, speaking with difficulty, “There are so many lynxes in the woods, and he’s so afraid of them. If he meets one he’ll die of fright.”.
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“Git in there, an’ no nonsense,” ordered Moses, who was chafing at the delay. The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged. Full of her thought she slipped from the couch, and went to the kitchen. “Mrs. Bennett, haven’t you some work a little girl could do?” “Oh ’bout the fairies an’ stars an’ lovely things that grownups know nothin’ about.”.
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