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“Never mind Mosey, yer heart don’t need fixin’ anyhow,” comforted Betty. Fer our reapin’ bye ’n’ bye.” Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions..

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It was a blessing that even her loyal soul must yield to nature’s balm of passing time; in wholesome companionship and the fragrant warmth of a country spring she somewhat forgot the grief that would otherwise have worn to death her frail little body. By this time Mr. Wopp was bearing a length of pipe into the yard. The parlor looked like a morgue with its inanimate objects lying bidden under sheets and cloths of varying degrees of past usefulness. Through a hole of one sheet could be seen the listless towzled head of Hannah, her faded wax countenance betraying the need of a tonic. “He’s been pushin’ up the daisies fer thirty years, I ain’t goin’ to warble to please no tombstun.” Moses swung a ponderous foot to give emphasis to his decision. He knew it was he and his friends who were never denied “the run of the house,” that brought in most of the gray film that settled so quickly on the dark floors; it was not fair to leave this back-aching task to his mother. He hustled out the rugs, found dusting cloth, wax, and rubber, and set vigorously at it, working so fast that he was nearly finished when she returned to the room..