And then during college vacations, returning home with growing notions and views of her own, she had found herself so often in antagonism with him. His fierce puritanism, so opposed to all her enthusiasms. Arguing with him, she might almost have been listening to one of his Cromwellian ancestors risen from the dead. There had been disputes between him and his work-people, and Joan had taken the side of the men. He had not been angry with her, but coldly contemptuous. And yet, in spite of it all, if he had only made a sign! She wanted to fling herself crying into his arms and shake him—make him listen to her wisdom, sitting on his knee with her hands clasped round his neck. He was not really intolerant and stupid. That had been proved by his letting her go to a Church of England school. Her mother had expressed no wish. It was he who had selected it. “Take care they don’t get the best of you,” Miss Ensor advised him.!

“Poor Mary!” he said. “I should not have talked before her if I had thought. Her horror of war is almost physical. She will not even read about them. It has the same effect upon her as stories of cruelty.” “I always come prepared to these scrimmages,” she explained. “I’ve got some Hazeline in my bag. They haven’t kicked you, have they?”

“It makes me laugh,” he was saying, “all this newspaper talk. Every nation, properly led, fights bravely. It is the male instinct. Women go into hysterics about it, because it has not been given them. I have the Croix de Guerre with all three leaves, and I haven’t half the courage of my dog, who weighs twelve kilos, and would face a regiment by himself. Why, a game cock has got more than the best of us. It’s the man who doesn’t think, who can’t think, who has the most courage—who imagines nothing, but just goes forward with his head down, like a bull. There is, of course, a real courage. When you are by yourself, and have to do something in cold blood. But the courage required for rushing forward, shouting and yelling with a lot of other fellows—why, it would take a hundred times more pluck to turn back.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. The nurse shot her a swift glance. “I’m glad of that,” she said dryly. She let Joan go upstairs.