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“Howard Eliot may larf, but I think these writin’s is real clever.” Mrs. Wopp grew thoughtful, “Moses’ Aunt Lucindy’s cousin, by marriage, had talents fer literatoor. But the pore girl married an undertaker an’ she writ no more.” During Betty’s illness these one-sided dialogues were more than usually plentiful. In this way only was Mrs. Wopp able to alleviate the “gnawin’ at her heart-strings” as she said, at having Betty so ill. It also kept the boy alive to the fact that life’s path was not strewn with “cabbage roses.” Such, at least, were the confidences poured into the sympathetic ear of his pinto. “An’ was the pore little feller lookin’ fer Joner?” said Mrs. Wopp. She spoke pityingly, yet she could not avoid some slight feeling of satisfaction over this evident tribute to her powers of biblical narrative..
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“Say, little kid, what’s your name?” he asked, merrily, as he routed a great white cat from his own chair and placed it before the fire for the child. “Holy Smoke! Be this the River Jording I’ve come ter?” As Isobel seated herself on the piano-stool in compliance with her father’s wishes, her white-flounced dress billowed up around her, reminding Moses, even in his chaotic state of mind, of the delicious creamy meringue on a lemon pie. This conversation took place in Billy’s shop, a room adjoining the wood-house and given over to his use. Nothing short of the world in the second verse of Genesis was equal to the chaos of that place. Every conceivable scrap and job lot of “truck” was there in a jumbled heap; and Billy was never happier than when mussing it over in search of “material”; in greasy overalls and crownless hat, whistling merrily, bringing forth to substance and form the inventions of his busy brain..
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