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Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.,
Then, as breakfast was virtually over before the letters came, they all rise, and disperse themselves as fancy dictates. But Geoffrey goes alone to where he knows he shall find Nicholas in his own den.,
The old woman smiled again.,
"I am not Mr. Rodney: Jack is that. Can't you call me anything else?"
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"'Is thy servant a dog, that he should do this thing?'" quotes Mr. Rodney; and, Mona having got into her shoes, she tells him he is at liberty to follow her across the rustic bridge lower down, that leads from the wood into Mangle Farm.,
"But, as I said to Lady Rodney, suppose I haven't a headache," retorts Mona, triumphantly.,
"Look here," says Geoffrey, with decision, "I will have no 'buts,' and I prefer taking my answer from your eyes than from your lips. They are kinder. You are going to marry me, you know, and that is all about it. I shall marry you, whether you like it or not, so you may as well give in with a good grace. And I'll take you to see Rome and all the places we have been talking about, and we shall have a real good old time. Why don't you look up and speak to me, Mona?",
She is enchanted, and stands there for a minute or two spellbound by the glory of the scene before her. Then a desire to see her beloved lake from the great windows in the northern gallery takes possession of her. She will go and look at it, and afterwards creep on tiptoe to the library, seize the book she had been reading before dinner, and make her way back again to her room without any one being in the least the wiser. Anything will be better than sitting here any longer, dreaming dismal day-dreams.
"It is I,—Mona Scully," she calls aloud, when she is within a hundred yards of the hiding-place. "Tim Ryan, come here: I want you."
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They all examine it with interest, Nolly being specially voluble on the occasion.
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"My dear Oliver!" protests Lady Rodney, mildly.
a9e25-Xu,
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"You have spoiled your gown on my account," says Geoffrey, surveying her remorsefully; "and such a pretty gown, too. I don't think I ever saw you looking sweeter than you look to-day. And now your dress is ruined, and it is all my fault!"
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>"I should have written to you about it sooner," he says at last, apologetically, hoping half his mother's resentment arises from a sense of his own negligence, "but I felt you would object, and so put it off from day to day."
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