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"No, my dear.", But this sort of argument did not fall within the frame of Mr Greyquill's picture of integrity. It was a letter lying ready for anybody's hand in a public way; next, it was not addressed; third, it was not signed; and fourth, though the contents were apparently in Mr Lawrence's handwriting, yet some people did write, as Greyquill knew, so wonderfully alike that there was no reason to conclude without strong internal evidence that the letter Mr Greyquill held was written by Mr Lawrence. Whatever else it was, it was certainly a draft roughly pencilled of a letter that had been copied in ink and no doubt despatched. Here and there was an erasure in ink, which proved that it had been copied in ink and corrected in certain places by the pen that was transcribing it. He had not proceeded far when his eyebrows, which, as we have heard, inimitably expressed the aspect of two white mice, arched their backs to an extraordinary degree as though in imitation of a cat when enraged; his mouth took on the posture of a whistle; with his eyes rooted to[Pg 140] the sheet he stopped and scratched his head until he nearly tumbled his hat into the road., Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?.