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"Bless me, Nolly, you are not going to be ill, are you?" says Geoffrey. "Such a burst of eloquence is rare." At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best." "What spirit, what courage, you displayed! At first I feared you would faint——".

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"Weary me! no, indeed. That is one of the very few unkind things you have ever said to me. How could I weary of your voice? Go on; tell me where you keep this magical piano." "What is it?" asks he, quick to notice any change in her. "Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man. "She is all your fancy could possibly paint her; she is lovely and divine. Don't try to analyze her charms, my dear Geoff. She is just the prettiest and sweetest woman I ever met. She is young, in the 'very May morn of delight,' yet there is nothing of that horrid shyness—that mauvaise honte—about her that, as a rule, belongs to the 'freshness of morning.' Her laugh is so sweet, so full of enjoyment.".