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As he approached, an old woman, bent with age and crippled, came from the lodge door and looked at him. "You must give me another dance, Mrs. Rodney, before your card is quite full," says the duke, smiling. "If, indeed, I am yet in time." "I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her..

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"Mona! Are you crying for me?" says Paul Rodney, as though surprised. "Do not. Your tears hurt me more than this wound that has done me to death." Then Cold Maker took from a little sack a few white eagle-down feathers. He blew them from him. At once a fierce storm blew across the valley. The bitter cold froze the water, but only in this one place. It dammed the stream with fast forming ice. The water rose higher and higher. It spread out over the banks. Cold Maker and Broken Bow went far off on the hills and watched it. Little by little it rose. It reached the stone lodge. The bears roared. The woman screamed. The water reached the top and covered the lodge from sight. All sound ceased. A moment more, and the water was quiet. Once more Cold Maker blew from him a few white eagle-down feathers. The storm subsided. It became warm again. The ice melted. The water retreated to its channel. When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. "Oh, I dare say. Yes, sometimes: but—" she hesitates, and this time the expression of her face cannot be misunderstood: dejection betrays itself in every line—"but it is not so with you, is it? No aunt has left you anything?".