It seemed a difficult case to advise upon. “How long have you been married?” Joan asked. Guests with other engagements were taking their leave. A piquante little woman, outrageously but effectively dressed—she looked like a drawing by Beardsley—drew her aside. “I’ve always wished I were a man,” she said. “It seemed to me that they had all the power. From this afternoon, I shall be proud of belonging to the governing sex.”!

“How did it all happen?” she persisted. “Was it very beautiful, in the beginning?” She wished she had not added that last. The words had slipped from her before she knew. Crouching close to the ground, behind the spreading roots of a giant oak, she raised her eyes. Before her lay a sea of smooth, soft mud nearly a mile wide. From the centre rose a solitary tree, from which all had been shot away but two bare branches like outstretched arms above the silence. Beyond, the hills rose again. There was something unearthly in the silence that seemed to brood above that sea of mud. The old priest told her of the living men, French and German, who had stood there day and night sunk in it up to their waists, screaming hour after hour, and waving their arms, sinking into it lower and lower, none able to help them: until at last only their screaming heads were left, and after a time these, too, would disappear: and the silence come again.

“I met her pretty often during those months that Helen Lavery was running her round,” she said at length. “It always seemed to me to have a touch of the heroic, that absurd effort she was making to ‘qualify’ herself, so that she might be of use to him. I can see her doing something quite big, if she thought it would help him.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “Perhaps it’s wrong of me,” she said. “But it makes me so sad. And I can do nothing.”