“It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.” The others rose and moved away. Hilda came and stood before Joan with her hands behind her.!

“Not yet,” admitted Joan. “May have to, later on.” “Talk it over with him,” he said. “And bear this in mind for your own guidance.” He took a step forward, which brought his face quite close to hers: “If he fails, and all his life’s work goes for nothing, I shall be sorry; but I shan’t break my heart. He will.”

For answer she had rolled up her sleeve, and let them examine her arm. And then, in her turn, had insisted on rolling up his sleeve, revealing the fact that his arms above the wrists had evidently not too recently been washed; and the episode had ended in laughter and a babel of shrill voices. And, at once, they were a party of chums, discussing matters together. “How did it all happen?” she persisted. “Was it very beautiful, in the beginning?” She wished she had not added that last. The words had slipped from her before she knew. “I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.”