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The Australian seems particularly struck with this fact. He stares in a thoughtful fashion at the wall with the small panels, seeming blind to the other beauties of the room. "It is terrible," says Mona, with such exceeding earnestness that he could have hugged her on the spot. Lady Chetwoode looks at her fan and then at Sir Guy. The duchess, with a grave expression, looks at Lady Rodney. Can her old friend have proved herself unkind to this pretty stranger? Can she have already shown symptoms of that tyrannical temper which, according to the duchess, is Lady Rodney's chief bane? She says nothing, however, but, moving her fan with a beckoning gesture, draws her skirts aside, and motions to Mona, to seat herself beside her..
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"You would turn a farce into a tragedy," he says, mockingly, "Why should I bribe a servant to let me see an old room by midnight?" "You are right," he says, with growing vehemence: "no man would do it. It is such a brilliant chance, such a splendid scheme——." He checks himself suddenly. Mona looks at him curiously, but says nothing. In a second he recovers himself, and goes on: "Yet because I will not relinquish my just claim you look upon me with hatred and contempt." So determined is her aspect that Geoffrey shows the white feather, and, crying "mea culpa," beats a hasty retreat. "Now I am quite, quite happy," says Mona, and, rising from her knees, she goes back again to Geoffrey, and stands beside him. "Tell them all about last night," she says, looking up at him, "and the secret cupboard.".
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