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To this it is difficult to make a telling reply. Mona says nothing she only turns her head completely away from him, as if to conceal something. Is it a smile?—he cannot tell. And indeed presently, as though to dispel all such idea, she sighs softly but audibly. "Yes, very glad," returns he, hardly knowing what he says. He has gone back again to his first thoughts,—his mother's boudoir, with its old china, and its choice water-colors that line the walls, and its delicate Italian statuettes. In his own home—which is situated about fourteen miles from the Towers, and which is rather out of repair through years of disuse—there are many rooms. He is busy now trying to remember them, and to decide which of them would look best decked out in crimson and gray, or blue and silver: he hardly knows which would suit her best. Perhaps, after all—— "So Mr. Moore says," returns she, smiling..
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"Yes?" with calm surprise. "I—I have heard of Ireland, of course. Indeed, I regard the older accounts of it as very deserving of thought; but I had no idea the more elevated aspirations of modern times had spread so far. So this room reminds you of—your uncle's?" When he left the camp, he travelled toward the Sand Hills. On the fourth night of his journeying he had a dream. He dreamed that he went into a little lodge in which was an old woman. This old woman said to him, "Why are you here, my son?" "How comforting you are!—how you understand," he says, with a quick sigh. "There is something else: that fellow Ridgway, who opened the window for me, he must be seen to. Let him have the money mentioned in the paper, and send him to my mother: she will look after him for my sake. My poor mother!" he draws his breath quickly. "Mona, it is not—it cannot be—but is it?" asks he incoherently..
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