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The work went on, each length at the first possible opportunity resuming its state of strict neutrality and refusing to be drawn into negotiations. The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence. “Try agin, Mose, now not too hard! Easy like! There! Jest a leetle bit more! Stop! Hold on! Shucks! Everythink’s went wrong! Here, we’ll start agin.”.
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Conrad
Betty picked him a small bouquet. She knew that in the child’s hot grasp the flowers would soon droop and she loved them so dearly that she grieved to see them wither and die. St. Elmo, however, was not satisfied. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. Bess, though not quite twelve, was a striking girl, larger than most women; with a mind as unusual as her body. Poetry, music, mythology, she fed upon these as a plant upon the sunshine. She was not satisfied with ordinary speech, but continually wove into the most commonplace events the glamour of romance and poetic words. A wise mother had stood between her and the jeers of the thoughtless, that she might have a normal girlhood; and Billy’s mother and sister helped to make it possible for her to play comfortably with those of her own age. Yet it was a surprise to the stranger to see this dark-eyed, magnificent woman-creature in short skirts romping with children. Jean hid a queer little smile that she could not repress..
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