"She never saw it at all, she never looked at it!" cried Mrs. Gereth. Mrs. Gereth stood there in all the glory of a great stroke. "I've settled you." She filled the room, to Fleda's scared vision, with the glare of her magnificence. "I've sent everything back."!

"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "I think I can understand well enough when I know what's to be understood," the young man asserted. "But I hope you won't mind my saying that you've kept me pretty well in the dark about that. I've been waiting, waiting, waiting; so much has depended on your news. If you've been working for me I'm afraid it has been a thankless job. Can't she say what she'll do, one way or the other? I can't tell in the least where I am, you know. I haven't really learnt from you, since I saw you there, where she is. You wrote me to be patient, and upon my soul I have been. But I'm afraid you don't quite realize what I'm to be patient with. At Waterbath, don't you know? I've simply to account and answer for the damned things. Mona looks at me and waits, and I, hang it, I look at you and do the same." Fleda had gathered fuller confidence as he continued; so plain was it that she had succeeded in not dropping into his mind the spark that might produce the glimmer invoked by his mother. But even this fine assurance gave a start when, after an appealing pause, he went on: "I hope, you know, that after all you're not keeping anything back from me."

"It looks just like Waterbath; but, after all, we bore that together:" these words formed part of a letter in which, before the 17th, Mrs. Gereth, writing from disfigured Ricks, named to Fleda the day on which she would be expected to arrive there on a second visit. "I sha'n't, for a long time to come," the missive continued, "be able to receive any one who may like it, who would try to smooth it down, and me with it; but there are always things you and I can comfortably hate together, for you're the only person who comfortably understands. You don't understand quite everything, but of all my acquaintance you're far away the least stupid. For action you're no good at all; but action is over, for me, forever, and you will have the great merit of knowing, when I'm brutally silent, what I shall be thinking about. Without setting myself up for your equal, I dare say I shall also know what are your own thoughts. Moreover, with nothing else but my four walls, you'll at any rate be a bit of furniture. For that, you know, a little, I've always taken you—quite one of my best finds. So come, if possible, on the 15th." "But twice?" Mrs. Gereth still smiled. "He hasn't told her so," Fleda said.