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"Mr Greyquill!" cried Miss Acton. "Why, he may have come with news of Lucy. Bid him step in!" "Ha!" exclaimed Captain Acton, looking fondly at his child, "I don't doubt it is in you. But you have suffered it to rest as an unsuspected quality." They climbed the rail fence and started to cross the stubble-field. As they neared the long row of brown-fruited sumachs Mrs. Wilson paused and stood in a listening attitude. "Say, isn't that Willium's varmint of a crow settin' up there on that ash?" she asked, pointing to the slender tree growing among the sumachs..
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Conrad
"Great Scott! Bill, you mean to say it got ol' Harry?" "I saw him." Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. The house, or at least the front of it, was built after a design by Inigo Jones. The pediment was perforated by a circular window glazed with a casement whose frame resembled the spokes of a ship's wheel. A variety of antique symbolism resembling the hideous sculptures which sometimes close the chapters in books of the seventeenth century, under-ran the eaves. The tall, narrow windows gleamed blackly amidst the skeletons of the winter, or the coloured embroidery of the[Pg 3] summer creepers. The hall door was noble and hospitable in expanse. A carriage drive swept from it on either hand the oval lawn to a handsome gate whose supports were crowned by the arms of the Actons on the one hand and the arms of a family into which one of the Actons had married on the other hand..
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