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"I must go now. Good-night," says Mona, kindly if coldly. He escorts her to the door of the conservatory There Lauderdale, who is talking with some men, comes forward and offers her his arm to take her to the carriage. And then adieux are said, and the duke accompanies her downstairs, whilst Lady Rodney contents herself with one of her sons. "I have been taught nothing," she says, with a most successful grasp at dignity. "They do not speak of you at the Towers,—at least, not unkindly." She looks at him as she says this, but lowers her eyes as she meets his. This dark, vehement young man almost frightens her. Mona starts, and, looking up, sees the Australian coming quickly towards her..

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"I see no reason why she should not talk to any man she pleases. I know her well enough to trust her anywhere, and am deeply thankful for such knowledge. In fact," with some passion, sudden but subdued, "I feel as though in discussing her in this cold-blooded fashion I am doing her some grievous wrong." She shrinks a little from the task, and would fain have evaded it altogether; though there is happiness, too, in the thought that here is an occasion on which she may be of real use to him. Will not the very act itself bring her nearer to him? Is it not sweet to feel that it is in her power to ease his pain? And is she not only doing what a tender wife would gladly do for her husband? Mona is happier than words can say. She is up to her eyes in the business, that business sweetest to a woman's soul, the ordering and directing and general management of a trousseau. In her case she is doubly blessed, because she has the supervizing of two! But Mona does not hear this last addition; she is moving a chair a little to one side, and the faint noise it makes drowns the sound of his voice. This perhaps is as well..