It was all, none the less, not so bad as Fleda had feared; it was faded and melancholy, whereas there had been a danger that it would be contradictious and positive, cheerful and loud. The house was crowded with objects of which the aggregation somehow made a thinness and the futility a grace; things that told her they had been gathered as slowly and as lovingly as the golden flowers of Poynton. She too, for a home, could have lived with them: they made her fond of the old maiden-aunt; they made her even wonder if it didn't work more for happiness not to have tasted, as she herself had done, of knowledge. Without resources, without a stick, as she said, of her own, Fleda was moved, after all, to some secret surprise at the pretensions of a shipwrecked woman who could hold such an asylum cheap. The more she looked about the surer she felt of the character of the maiden-aunt, the sense of whose dim presence urged her to pacification: the maiden-aunt had been a dear; she would have adored the maiden-aunt. The poor lady had had some tender little story; she had been sensitive and ignorant and exquisite: that too was a sort of origin, a sort of atmosphere for relics and rarities, though different from the sorts most prized at Poynton. Mrs. Gereth had of course more than once said that one of the deepest mysteries of life was the way that, by certain natures, hideous objects could be loved; but it wasn't a question of love, now, for these: it was only a question of a certain practical patience. Perhaps some thought of that kind had stolen over Mrs. Gereth when, at the end of a brooding hour, she exclaimed, taking in the house with a strenuous sigh: "Well, something can be done with it!" Fleda had repeated to her more than once the indulgent fancy about the maiden-aunt—she was so sure she had deeply suffered. "I'm sure I hope she did!" was, however, all that Mrs. Gereth had replied. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"!

He appeared puzzled by this statement, but he presently rejoined: "You haven't then said to mamma what you think?" "I meant painful to myself," Fleda, with a slight impatience, explained.

"Oh no, not everything; I saw how little I could get into this scrap of a house. I only brought away what I required." "Well, I am, and I'm the person most concerned. Of course I didn't use just those words: I was perfectly civil, quite as civil as she. But I told her I didn't consider she had a right to put me any such question. I said I wasn't sure that even Mona had, with the extraordinary line, you know, that Mona has taken. At any rate the whole thing, the way I put it, was between Mona and me; and between Mona and me, if she didn't mind, it would just have to remain." "Is that what you came to ask me?" Fleda demanded.