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CHAPTER XII JUDITH'S DISCOVERY "Don't the people seem funny-looking?" said Judith, blinking at the gayly dressed crush at the theater entrance. "They all seem like actors in a play, with the twinkly electric lights and the streaky yellow sunset behind those big buildings." However, he did not say anything further at the moment, but walked beside Isabella toward The Wigwam. Behind them Maurice strolled slowly, fuming and fretting at the attitude assumed by Etwald by the side of Isabella. She cast a backward glance at his frowning face, and to avert possible trouble she began hastily to question the doctor about the strange conduct of Dido..

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"I, massa! Ole Dido she do nuffin. Massa Maurice he die Voodoo! Oh, yes." Judith's bow was on one eye and her hat under her arm, showing that she had made great haste to join the growing crowd in the first antique room. She looked even more agitated than Patricia had expected her to be. So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. "I am neither for nor against," replied Jen, enigmatically. "As I said before, let the girl marry who she loves best.".