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The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up. “My clothes mostly,” he replied, hoping he had told the truth, though a dreadful, big feeling in his head, the humming in his ears, and the pain in his eyes, made him guess he had told a lie. “You said, ‘Death is easy. It is much braver to live without the love one craves, to do one’s duty each day, and smile as the world goes by. That’s the finest love I know,’ you said.”.

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After this vigorous onslaught upon the quondam admirer of Nell, Mrs. Wopp ordered Moses to help her prepare the spare room on the ground-floor for the young rancher. He decided to go first on the mountain and set his traps for rabbits; also to mark the bounds for the “chase,” so that they could gather on time at the island and go on with the second canto. If they didn’t “do” two cantos a day they wouldn’t finish; for Friday must be given to school. As it was some of them had to be at the school house each day at three to rehearse for the “last day” exercises. “No; well,” came the answer. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..