Mrs. Gereth was silent a moment; then "Nonsense!" she sharply replied. Fleda wondered. "And did you remember the little letter that, with your hands tied, you still succeeded in writing to him?"!

All this was exciting, but Fleda's spirit dropped, at bedtime, in the chamber embellished for her pleasure, where she found several of the objects that in her earlier room she had most admired. These had been reinforced by other pieces from other rooms, so that the quiet air of it was a harmony without a break, the finished picture of a maiden's bower. It was the sweetest Louis Seize, all assorted and combined—old chastened, figured, faded France. Fleda was impressed anew with her friend's genius for composition. She could say to herself that no girl in England, that night, went to rest with so picked a guard; but there was no joy for her in her privilege, no sleep even for the tired hours that made the place, in the embers of the fire and the winter dawn, look gray, somehow, and loveless. She couldn't care for such things when they came to her in such ways; there was a wrong about them all that turned them to ugliness. In the watches of the night she saw Poynton dishonored; she had cared for it as a happy whole, she reasoned, and the parts of it now around her seemed to suffer like chopped limbs. Before going to bed she had walked about with Mrs. Gereth and seen at whose expense the whole house had been furnished. At poor Owen's, from top to bottom—there wasn't a chair he hadn't sat upon. The maiden aunt had been exterminated—no trace of her to tell her tale. Fleda tried to think of some of the things at Poynton still unappropriated, but her memory was a blank about them, and in trying to focus the old combinations she saw again nothing but gaps and scars, a vacancy that gathered at moments into something worse. This concrete image was her greatest trouble, for it was Owen Gereth's face, his sad, strange eyes, fixed upon her now as they had never been. They stared at her out of the darkness, and their expression was more than she could bear: it seemed to say that he was in pain and that it was somehow her fault. He had looked to her to help him, and this was what her help had been. He had done her the honor to ask her to exert herself in his interest, confiding to her a task of difficulty, but of the highest delicacy. Hadn't that been exactly the sort of service she longed to render him? Well, her way of rendering it had been simply to betray him and hand him over to his enemy. Shame, pity, resentment oppressed her in turn; in the last of these feelings the others were quickly submerged. Mrs. Gereth had imprisoned her in that torment of taste; but it was clear to her for an hour at least that she might hate Mrs. Gereth. Once in the country, indeed, she saw that her father was right: the breath of December was abroad with a force from which the London labyrinth had protected her. The green fields were black, the sky was all alive with the wind; she had, in her anxious sense of the elements, her wonder at what might happen, a reminder of the surmises, in the old days of going to the Continent, that used to worry her on the way, at night, to the horrid cheap crossings by long sea. Something, in a dire degree, at this last hour, had begun to press on her heart: it was the sudden imagination of a disaster, or at least of a check, before her errand was achieved. When she said to herself that something might happen she wanted to go faster than the train. But nothing could happen save a dismayed discovery that, by some altogether unlikely chance, the master and mistress of the house had already come back. In that case she must have had a warning, and the fear was but the excess of her hope. It was every one's being exactly where every one was that lent the quality to her visit. Beyond lands and seas and alienated forever, they in their different ways gave her the impression to take as she had never taken it. At last it was already there, though the darkness of the day had deepened; they had whizzed past Chater—Chater, which was the station before the right one. Off in that quarter was an air of wild rain, but there shimmered straight across it a brightness that was the color of the great interior she had been haunting. That vision settled before her—in the house the house was all; and as the train drew up she rose, in her mean compartment, quite proudly erect with the thought that all for Fleda Vetch then the house was standing there.

"Then you ought to be ashamed of yourself!" Mrs. Gereth broke out with a change of note that showed how deep a passion underlay everything she had said. The poor woman, catching her companion's hand, however, the next moment, as if to retract something of this harshness, spoke more patiently. "Don't you understand, Fleda, how immensely, how devotedly, I've trusted you?" Her tone was indeed a supplication. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "Come round?"