"Then why doesn't she do it?" "Read it?"!

She hesitated: she would only be impeccable even though she should have to be sententious. "You'll be happy if you're perfect!" she risked. "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask."

"At the West Kensington station—she was going to Victoria. I had walked with her there, and our talk was all on the way." There was a question that this imposed, but Fleda at first found no voice to utter it: it was the thing that, between them, since her arrival, had been so consciously and vividly unsaid. Finally she was able to breathe: "And if she is there—if she's there already?" "Do you mean to say you'll have a regular kick-up with her?"