Then Felicite uttered: Sharks we caught occasionally, on large hooks, with chain-swivels, bent on a length of small rope. And sharks meant pilot-fish, and remoras, and various sorts of parasitic creatures. Regular man-eaters some of the sharks proved, tiger-eyed and with twelve rows of teeth, razor-sharp. By the way, we of the Snark are agreed that we have eaten many fish that will not compare with baked shark smothered in tomato dressing. In the calms we occasionally caught a fish called “haké” by the Japanese cook. And once, on a spoon-hook trolling a hundred yards astern, we caught a snake-like fish, over three feet in length and not more than three inches in diameter, with four fangs in his jaw. He proved the most delicious fish—delicious in meat and flavour—that we have ever eaten on board.!

Fathers and sons wanted to come, and many men with their wives, to say nothing of the young woman stenographer who wrote: “Write immediately if you need me. I shall bring my typewriter on the first train.” But the best of all is the following—observe the delicate way in which he worked in his wife: “I thought I would drop you a line of inquiry as to the possibility of making the trip with you, am 24 years of age, married and broke, and a trip of that kind would be just what we are looking for.” The next time we breathed our skins in the sand by the swimming pool I said to Roscoe, “Let us do it.”

Not being tourists, we of the Snark went to Haleakala. On the slopes of that monster mountain there is a cattle ranch of some fifty thousand acres, where we spent the night at an altitude of two thousand feet. The next morning it was boots and saddles, and with cow-boys and packhorses we climbed to Ukulele, a mountain ranch-house, the altitude of which, fifty-five hundred feet, gives a severely temperate climate, compelling blankets at night and a roaring fireplace in the living-room. Ukulele, by the way, is the Hawaiian for “jumping flea” as it is also the Hawaiian for a certain musical instrument that may be likened to a young guitar. It is my opinion that the mountain ranch-house was named after the young guitar. We were not in a hurry, and we spent the day at Ukulele, learnedly discussing altitudes and barometers and shaking our particular barometer whenever any one’s argument stood in need of demonstration. Our barometer was the most graciously acquiescent instrument I have ever seen. Also, we gathered mountain raspberries, large as hen’s eggs and larger, gazed up the pasture-covered lava slopes to the summit of Haleakala, forty-five hundred feet above us, and looked down upon a mighty battle of the clouds that was being fought beneath us, ourselves in the bright sunshine. As I write these lines I lift my eyes and look seaward. I am on the beach of Waikiki on the island of Oahu. Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea. Nearer, the sea is emerald and light olive-green. Then comes the reef, where the water is all slaty purple flecked with red. Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks. Through and over and out of these wonderful colours tumbles and thunders a magnificent surf. As I say, I lift my eyes to all this, and through the white crest of a breaker suddenly appears a dark figure, erect, a man-fish or a sea-god, on the very forward face of the crest where the top falls over and down, driving in toward shore, buried to his loins in smoking spray, caught up by the sea and flung landward, bodily, a quarter of a mile. It is a Kanaka on a surf-board. And I know that when I have finished these lines I shall be out in that riot of colour and pounding surf, trying to bit those breakers even as he, and failing as he never failed, but living life as the best of us may live it. And the picture of that coloured sea and that flying sea-god Kanaka becomes another reason for the young man to go west, and farther west, beyond the Baths of Sunset, and still west till he arrives home again. It is told that long ago, one Maui, the son of Hina, lived on what is now known as West Maui. His mother, Hina, employed her time in the making of kapas. She must have made them at night, for her days were occupied in trying to dry the kapas. Each morning, and all morning, she toiled at spreading them out in the sun. But no sooner were they out, than she began taking them in, in order to have them all under shelter for the night. For know that the days were shorter then than now. Maui watched his mother’s futile toil and felt sorry for her. He decided to do something—oh, no, not to help her hang out and take in the kapas. He was too clever for that. His idea was to make the sun go slower. Perhaps he was the first Hawaiian astronomer. At any rate, he took a series of observations of the sun from various parts of the island. His conclusion was that the sun’s path was directly across Haleakala. Unlike Joshua, he stood in no need of divine assistance. He gathered a huge quantity of coconuts, from the fibre of which he braided a stout cord, and in one end of which he made a noose, even as the cow-boys of Haleakala do to this day. Next he climbed into the House of the Sun and laid in wait. When the sun came tearing along the path, bent on completing its journey in the shortest time possible, the valiant youth threw his lariat around one of the sun’s largest and strongest beams. He made the sun slow down some; also, he broke the beam short off. And he kept on roping and breaking off beams till the sun said it was willing to listen to reason. Maui set forth his terms of peace, which the sun accepted, agreeing to go more slowly thereafter. Wherefore Hina had ample time in which to dry her kapas, and the days are longer than they used to be, which last is quite in accord with the teachings of modern astronomy.