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"Yes?" says Mona, who looks and is, intensely interested. Is thick inlaid with patines of bright gold." "You are speaking of Lady Chetwoode? Was it her that called last week?" asks Mona, timidly, forgetting grammar in her nervousness..

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Nothing daunted, however, by this reception, Geoffrey returns his grasp with interest, and, looking fresh and young and happy, runs past him, up the stairs, to his mother's room, to beard—as he unfilially expresses it—the lioness in her den. It is a very cosey den, and, though claws maybe discovered in it, nobody at the first glance would ever suspect it of such dangerous toys. Experience, however, teaches most things, and Geoffrey has donned armor for the coming encounter. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how—— There are no windows; but in their place are four unpleasant slits about two yards in length, let into the thick walls at studiously unequal distances. These are filled up with an opaque substance that perhaps in the Middle Ages was called glass. "Why could you not have stayed in Australia?" says Mona, with some excitement. "You are rich; your home is there; you have passed all your life up to this without a title, without the tender associations that cling round Nicholas and that will cost him almost his life to part with. You do not want them, yet you come here to break up our peace and make us all utterly wretched.".