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These sounds, vague and harmonious as they are, yet full of mystery and unexplained sadness, but serve to heighten the fear that chills her heart. "It is very hard on Sir Nicholas," says Mona, who would not call him "Nick" now for the world. With Philippa they have some tea, and then again follow their indefatigable hostess to a distant apartment that seems more or less to jut out from the house, and was in olden days a tiny chapel or oratory..
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On a low bed, with his eyes fastened eagerly upon the door, lies Paul Rodney, the dews of death already on his face. "You must come again very soon to see me," she says to Mona, and then goes with her all along the halls and passages, and actually stands upon the door-steps until they drive away. And Mona kisses hands gayly to her as they turn the corner of the avenue, and then tells Geoffrey that she thinks he has been very hard on Lady Lilias, because, though she is plainly quite mad, poor thing, there is certainly nothing to be disliked about her. "There is hardly any taste so charming or so engrossing as that for flowers," says Geoffrey, making this trite little speech, that sounds like a copy-book, in his most engaging style. "My mother and cousin do a great deal of that sort of thing when at home." "Must you really go, Geoffrey?—really?" asks Mona, miserably, looking the very personification of despair. She has asked the same question in the same tone ever since early dawn, and it is now four o'clock..
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