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Just now, for example, a pause occurring in the conversation, Mona, fastening her eyes upon her Grace's neck, says, with genuine admiration,— When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered. The cold seems hardly to touch Mona, so wrapped she is in the beauties of the night. There is at times a solemn indefinable pleasure in the thought that we are awake whilst all the world sleepeth; that we alone are thinking, feeling, holding high communion with our own hearts and our God..
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"Blow me to atoms, perhaps, or into some region unknown," says he, recklessly. "A good thing, too. Is life so sweet a possession that one need quail before the thought of resigning it?" "A simple one." In thought she had been miles away, and has just come back to the present with a start of guilt at her own neglect of her guest. She honestly believes, in her confusion, that Lady Lilias has been making some inquiries about the secret panel, and therefore makes her extraordinary remark with the utmost bonhommie and cheerfulness. "Look here," says Geoffrey, with decision, "I will have no 'buts,' and I prefer taking my answer from your eyes than from your lips. They are kinder. You are going to marry me, you know, and that is all about it. I shall marry you, whether you like it or not, so you may as well give in with a good grace. And I'll take you to see Rome and all the places we have been talking about, and we shall have a real good old time. Why don't you look up and speak to me, Mona?".
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