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She stands away from him, and looks at him with a face so pale, yet so earnest and intense, that he feels it will be unwise to argue further with her just now. So instead he takes both her hands and draws her to his side again. "A—student?" says Mona, in a degree puzzled. The newly come people went to the piskun for meat, and there one of the children saw an arrow lying on the ground. It was a beautiful arrow, the stone point long, slender, and sharp, the shaft round and straight. The boy remembered what had been said and he looked around fearfully, but everywhere the people were busy. No one was looking. He picked up the arrow and put it under his robe..
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"Yes, they are pretty, but insignificant," says the Æsthete, contemptuously. "Paltry children of the earth, not to be compared with the lenten or the tiger lily, or the fiercer beauty of the sunflower, or the hues of the unsurpassable thistle!" She sighs. There is pathos and sweetness and tenderness in every line of her face, and much sadness. Her lips are slightly parted, "her eyes are homes of silent prayer." Paul, watching her, feels as though he is in the presence of some gentle saint, sent for a space to comfort sinful earth. "Why don't I hate you?" he says, with some emotion. "How bitterly unkind even the softest, sweetest women can be! Yet there is something about you that subdues me and renders hatred impossible. If I had never met you, I should be a happier man." Perhaps, just at first, surprise is too great to permit of his feeling either astonishment or indignation. He looks from Paul Rodney to Mona, and then from Mona back to Rodney. After that his gaze does not wander again. Mona, running to him, throws herself into his arms, and there he holds her closely, but always with his eyes fixed upon the man he deems his enemy..
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