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Yet pretty Dorothy at her very best moments had never looked, nor ever could look, as lovely as Mona appears now, as she stands with her hands loosely clasped before her, and the divine light of pity in her eyes, that are shining softly like twin stars.,

"Yes, it was I," she says. "And why shouldn't I? Is it to see you drown I would? I—I didn't want you to find out; but"—quickly—"I would do the same for any one at any time. You know that.",

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For many days he had not known "that his heart was darkened with her shadow." Only yesterday he might perhaps have denied his love for her, so strange, so uncertain, so undreamt of, is the dawning of a first great attachment. One looks upon the object that attracts, and finds the deepest joy in looking, yet hardly realizes the great truth that she has become part of one's being, not to be eradicated until death or change come to the rescue.

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Up high the rocks are overgrown with ferns, and drooping things, all green and feathery, that hide small caves and picturesque crannies, through which the bright-eyed Naiads might peep whilst holding back with bare uplifted arms their amber hair, the better to gaze upon the unconscious earth outside.,

"Are you one of the others?",

"Yes, I was indeed. Down in a small place cabled Castle-Connell, near Limerick. Nice people in Limerick, but a trifle flighty, don't you think? Fond of the merry blunderbuss, and all that, and with a decided tendency towards midnight maraudings.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.