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In the Crump household, Clarence stood for all that was brilliant and intellectual, while Isobel stood for all that was fairy-like and charming. Moses felt himself a cipher, of no account whatever, in this wonderful home. He would need an extra administration of sympathy from Betty on his return. He thought at that moment very tenderly of the great brown eyes that “looked like they loved everybody.” Presently, Moses made for the yard and on his way, offered tribute to Betty by standing on his head on the mat at the door. “Yes, go away, Billy; I’m not afraid.” May Nell laughed happily. Her quick mind was delighted with the masquerading..

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The operetta opened with a weird winter scene, when the Sower (Harold) sowed his grain, and the gnomes and elves set upon him; and evoked Storm King (Jimmy), Wind (Bess), and Frost (Jackson). He was the comedy of the little drama; and dressed all in black, covered with silver spangles and diamond dust, he made a joke that the wine-growers appreciated, for it is the black frosts of April they fear. For a moment Betty stood in an attitude of dejection, but suddenly her face brightened. The muscles at the corners of her mouth stiffened, her little pointed chin was thrust forward ever so slightly and a look came into her brown eyes which said plainly, “Never you mind, Moses Wopp, I’ll get money and more than two bits for my missionary box.” Jean, too, crossed the little bridge, climbed the fence, mounted her wheel, and rolled off down the dusty road. “You’d best go an’ take her hoss, Moses,” directed Mr. Wopp. Then raising his voice he called, “Go right on into the house, Mis’ Mifsud. Lize has jist gone in from the garden.”.