Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained. Joan’s eyes followed. It was certainly an odd collection. Flossie, in her hunt for brains, had issued her invitations broadcast; and her fate had been that of the Charity concert. Not all the stars upon whom she had most depended had turned up. On the other hand not a single freak had failed her. At the moment, the centre of the room was occupied by a gentleman and two ladies in classical drapery. They were holding hands in an attitude suggestive of a bas-relief. Joan remembered them, having seen them on one or two occasions wandering in the King’s Road, Chelsea; still maintaining, as far as the traffic would allow, the bas-relief suggestion; and generally surrounded by a crowd of children, ever hopeful that at the next corner they would stop and do something really interesting. They belonged to a society whose object was to lure the London public by the force of example towards the adoption of the early Greek fashions and the simpler Greek attitudes. A friend of Flossie’s had thrown in her lot with them, but could never be induced to abandon her umbrella. They also, as Joan told herself, were reformers. Near to them was a picturesque gentleman with a beard down to his waist whose “stunt”—as Flossie would have termed it—was hygienic clothing; it seemed to contain an undue proportion of fresh air. There were ladies in coats and stand-up collars, and gentlemen with ringlets. More than one of the guests would have been better, though perhaps not happier, for a bath.!

“You go,” she said. “I’ll stroll on quietly.” “I’m not good at getting on with people,” she explained.

She turned down the Embankment after leaving the house. She always found the river strong and restful. So it was not only bad women that needed to be afraid of themselves—even to the most high-class young woman, with letters after her name, and altruistic interests: even to her, also, the longing for the lover’s clasp. Flossie had been right. Mother Nature was not to be flouted of her children—not even of her new daughters; to them, likewise, the family trait. She followed, inwardly fuming, while Mrs. Phillips continued to pile monstrosity upon monstrosity. What would Phillips think? And what would Hilda’s eyes say when they looked upon that recherché drawing-room suite? Hilda, who would have had no sentimental compunctions! The woman would be sure to tell them both that she, Joan, had accompanied her and helped in the choosing. The whole ghastly house would be exhibited to every visitor as the result of their joint taste. She could hear Mr. Airlie’s purring voice congratulating her. “It always seemed to me immoral, the marriage ceremony,” the Human Document was explaining. She was a thin, sallow woman, with an untidy head and restless eyes that seemed to be always seeking something to look at and never finding it. “How can we pledge the future? To bind oneself to live with a man when perhaps we have ceased to care for him; it’s hideous.”