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When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good., "Well, so she is; and yet I suppose our expressions are dissimilar. Look here," says Geoffrey, suddenly, as though compelled at the last moment to give her a hint of what is coming. "I want to tell you about her,—my mother I mean: she is all right, you know, in every way, and very charming in general, but just at first one might imagine her a little difficult!", "Yes, long ago," says Geoffrey, with animation. "Quite an hour ago.".