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The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat. Mrs. Wopp, after ascertaining that the little boy had received no bodily injury, stood mopping her heated face with the half-mended sock. She ceased operations to survey Betty more carefully. “Three you should say. Don’t you live in the dreamland of music? Eat your own breakfast, or you’ll be late for the train.”.

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“What’ll I sing Betty?” From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics. But on the whole Billy was proud. “The kids showed their pluck and stuck to their jobs,” he told his mother afterward. The White Elephant bellowed impressively in front of the postoffice; and Jimmy’s ponies never reared so gracefully as in front of the bank. The child was gifted in this most elemental of the arts, and her histrionic ability carried along the interest of her listeners even when the printed matter on the back of the paper interfered with the clearness of the picture. Her imagination bolstered up the defects of dry facts..