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"My dear, what I could do, I have done," says the little man, patting her hand in his kind fatherly fashion; "but he has gone beyond human skill. And now one thing: you have come here, I know, with the tender thought of soothing his last hours: therefore I entreat you to be calm and very quiet. Emotion will only distress him, and, if you feel too nervous, you know—perhaps—eh?",

Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of,

"I am afraid you went to almost the worst part of Ireland," says Mona, shaking her head. "New Pallas, and all round Limerick, is so dreadfully disloyal.",

"Misfortunes seem to crowd upon us," says Lady Rodney, bitterly.

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"Nay, now," says Mona, sweetly, "do not talk like that. It grieves me. When you have formed a purpose worth living for, the whole world will undergo a change for you. What is dark now will seem light then; and death will be an enemy, a thing to battle with, to fight with desperately until one's latest breath. In the meantime," nervously, "do be cautious about that horrid weapon: won't you, now?",

The short daylight fades; the wind grows higher; the whole scene is curious, and very nearly fantastical. The pretty girl in her clinging satin gown, and her gleaming neck and arms, bare and soft and white, and the tiny lace-fringed cap that crowns her fairness. The gaunt trees branching overhead that are showering down upon her all their fading wealth of orange and crimson and russet-colored leaves, that serve to throw out the glories of her dress. The brown-green sward is beneath her, the river runs with noiseless mirth beside her, rushing with faint music over sand and pebble to the ocean far below. Standing before her is her lover, gazing at her with adoring eyes.,

When she knows Mona she will love her,—who could help it? so he argues; and for this reason he keeps silence until such time as, his marriage being a fait accompli, hopeless expostulation will be of no avail, and will, therefore, be suppressed.,

"I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her.