Madame’s armchair, foot-warmer, work-table, the eight chairs, everything was gone! The places occupied by the pictures formed yellow squares on the walls. They had taken the two little beds, and the wardrobe had been emptied of Virginia’s belongings! Felicite went upstairs, overcome with grief. There is also another side to the voyage of the Snark. Being alive, I want to see, and all the world is a bigger thing to see than one small town or valley. We have done little outlining of the voyage. Only one thing is definite, and that is that our first port of call will be Honolulu. Beyond a few general ideas, we have no thought of our next port after Hawaii. We shall make up our minds as we get nearer, in a general way we know that we shall wander through the South Seas, take in Samoa, New Zealand, Tasmania, Australia, New Guinea, Borneo, and Sumatra, and go on up through the Philippines to Japan. Then will come Korea, China, India, the Red Sea, and the Mediterranean. After that the voyage becomes too vague to describe, though we know a number of things we shall surely do, and we expect to spend from one to several months in every country in Europe.!

“ . . . like a summer sky The Snark is a sail-boat. She was built primarily to sail. But incidentally, as an auxiliary, a seventy-horse-power engine was installed. This is a good, strong engine. I ought to know. I paid for it to come out all the way from New York City. Then, on deck, above the engine, is a windlass. It is a magnificent affair. It weighs several hundred pounds and takes up no end of deck-room. You see, it is ridiculous to hoist up anchor by hand-power when there is a seventy-horse-power engine on board. So we installed the windlass, transmitting power to it from the engine by means of a gear and castings specially made in a San Francisco foundry.

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. “Just that. Exactly that. When I am a hundred I shall not require sleep. Also, I shall be living on air. There are plants that live on air, you know.” His face lighted with pleasure and he uttered the single word, “Tahaa,” turning at the same time and pointing to the lofty, cloud-draped peaks of an island three miles away—the island of Tahaa. It was fair wind over, but a head-beat back. Now I did not want to go to Tahaa. I had letters to deliver in Raiatea, and officials to see, and there was Charmian down below getting ready to go ashore. By insistent signs I indicated that I desired no more than a short sail on the lagoon. Quick was the disappointment in his face, yet smiling was the acquiescence.