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The girl put the bone on the ground and covered it with her robe and began to sing. After she had sung she took the robe away, and there under it lay her father's body, as if he had just died. Once again she covered the body with the robe and sang, and this time when she took the robe away the body was breathing. A third time she covered the body with the robe and sang, and when she again took away the robe, the body moved its arms and legs a little. A fourth time she covered it and sang, and when she took away the robe her father stood up. "You have something important to say to me," says Mona, presently, seeing he will not speak: "at least, so your letter led me to believe." Then Fisher said to the people, "Pack up your things now and get ready to cross. I will make a place where you can cross easily.".

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He raises his hat, and, turning abruptly away, is soon lost to sight round a curve in the winding pathway. He walks steadily and with an unflinching air, but when the curve has hidden him from her eyes he stops short, and sighs heavily. "Ay! so he had, an escape you will never know," says a hoarse voice at this moment, that makes Mona's heart almost cease to beat. An instant later, and two men jump up from the dark ditch in which they have been evidently hiding, and confront Rodney with a look of savage satisfaction upon their faces. "Why should I? She never comes near us, never takes the least notice of us. She treats us as though we were a detested branch grafted on, and causing more trouble than we are worth, yet she will not let us go." Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air..