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CHAPTER XV.—MERRY-MAKING IN THE HAY-LOFT.,
“But there aren’t any deer,” the little girl objected. “What will you do for,
In the meantime Mr. Wopp sitting precariously on the edge of the sofa was examining for at least the two-hundredth time the red plush album which contained the records of the Wopp family, past and present, in picture form. He looked long and earnestly at a tin-type representing a plump, velvet-coated, mop-haired boy of twelve. He sighed deeply.,
“Yes; but some one who could take care of himself. And you didn’t expect to open dressmaking parlors.”
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“An’ was the pore little feller lookin’ fer Joner?” said Mrs. Wopp. She spoke pityingly, yet she could not avoid some slight feeling of satisfaction over this evident tribute to her powers of biblical narrative.,
He sprang up, caught her hand, and raced with her down the rocky steep, calling wildly to the men in the wagon as he ran. Bouncer, no longer watched, vented his pent-up excitement in noisy yelps; and above the din Billy heard loud angry words in a foreign tongue that he knew were execrations, commands to return.,
While Betty, mounted on a bench in the shed, was getting down her watering-can, Job, who during the afternoon had searched diligently but vainly for her, rounded the corner of the garden fence. He noted the open gate and sped towards it. As he entered the garden his eye fell on St. Elmo who stood absorbed and expectant. The turkey, his odd corner-wise gait accentuated by his anxiety of mind, rushed towards the child who at first did not notice his approach. But presently, turning around, St. Elmo beheld an apparently formidable assailant which by the most powerful flight of imagination could not be mistaken for a fairy. All escape by way of the gate was shut off by the intruder. St. Elmo’s plump legs, bare above his low socks, twinkled as he ran wildly towards the foot of the garden.,
“Are—are you hurt bad, Jimmy?” came in a quaking voice.
He tidied himself, bade his mother good-bye, and followed the girls to rehearsal.
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Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.
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As Isobel seated herself on the piano-stool in compliance with her father’s wishes, her white-flounced dress billowed up around her, reminding Moses, even in his chaotic state of mind, of the delicious creamy meringue on a lemon pie.
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CHAPTER VI “THE TRIUMPH OF FLORA”
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>“Now who wants to ride the camel? Who wants to ride the swayin’ tossin’ ship of the desert?” Betty turned to her swarming audience; then to Moses she whispered as though she might be overheard, “You step forward an’ pay me two bits fer a ride.” Moses put a ticket into Betty’s hand and, not to be outdone in bravery, mounted the single-humped camel. Molly forgot her training in the sandy desert and lurched sadly.
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