"That's just what makes Mona hesitate!" Owen honestly exclaimed. "I mean the idea that I shall get back the things only if she gives me up." Fleda hesitated; she felt herself reddening. "I've only said your son wants it. I haven't said I do."!

"Yes, that's what I understood from you at Ricks," said Fleda; "but I haven't repeated it to your mother." She had hated, at Ricks, to talk with him about Mona, but now that scruple was swept away. If he could speak of Mona's visit as fatal, she need at least not pretend not to notice it. It made all the difference that she had tried to assist him and had failed: to give him any faith in her service she must give him all her reasons but one. She must give him, in other words, with a corresponding omission, all Mrs. Gereth's. "You can easily see that, as she dislikes your marriage, anything that may seem to make it less certain works in her favor. Without my telling her, she has suspicions and views that are simply suggested by your delay. Therefore it didn't seem to me right to make them worse. By holding off long enough, she thinks she may put an end to your engagement. If Mona's waiting, she believes she may at last tire Mona out." That, in all conscience, Fleda felt was lucid enough. The way Owen hung fire at this question made it sound more playful than she had intended. She had, in fact, no consciousness of any intention but that of confining herself rigidly to her function. She could already see that, in whatever he had now braced himself for, she was an element he had not reckoned with. His preparation had been of a different sort—the sort congruous with his having been careful to go first and lunch solidly at the inn. He had not been forced to ask for her, but she became aware, in his presence, of a particular desire to make him feel that no harm could really come to him. She might upset him, as people called it, but she would take no advantage of having done so. She had never seen a person with whom she wished more to be light and easy, to be exceptionally human. The account he presently gave of the matter was that he indeed wouldn't have come if he had known she was on the spot; because then, didn't she see? he could have written to her. He would have had her there to let fly at his mother.

"If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!" "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask." "For what do you take me? I wasn't such a donkey."