CHAPTER XVII Mrs. Gereth continued to stare out of the window, and her stillness denoted some success in controlling herself. "If he's not lost, why are you unhappy?"!

"I said to her that her question revealed a total misconception of the nature of my present relations with my son. I said to her that I had no relations with him at all, and that nothing had passed between us for months. I said to her that my hands were spotlessly clean of any attempt to make him make up to you. I said to her that I had taken from Poynton what I had a right to take, but had done nothing else in the world. I was determined that if I had bit my tongue off to oblige you I would at least have the righteousness that my sacrifice gave me." When, as criticism deepened, Fleda dropped the suggestion that some people would perhaps see something in Mona, Mrs. Gereth caught her up with a groan of protest, a smothered familiar cry of "Oh, my dear!" Mona was the eldest of the three, the one Mrs. Gereth most suspected. She confided to her young friend that it was her suspicion that had brought her to Waterbath; and this was going very far, for on the spot, as a refuge, a remedy, she had clutched at the idea that something might be done with the girl before her. It was her fancied exposure at any rate that had sharpened the shock; made her ask herself with a terrible chill if fate could really be plotting to saddle her with a daughter-in-law brought up in such a place. She had seen Mona in her appropriate setting and she had seen Owen, handsome and heavy, dangle beside her; but the effect of these first hours had happily not been to darken the prospect. It was clearer to her that she could never accept Mona, but it was after all by no means certain that Owen would ask her to. He had sat by somebody else at dinner, and afterwards he had talked to Mrs. Firmin, who was as dreadful as all the rest, but redeemingly married. His heaviness, which in her need of expansion she freely named, had two aspects: one of them his monstrous lack of taste, the other his exaggerated prudence. If it should come to a question of carrying Mona with a high hand there would be no need to worry, for that was rarely his manner of proceeding.

Fleda looked very grave, weighing the whole matter. "I dare say that when she started, when she arrived, she didn't mean to 'come down.'" "I'm very, very tired." Mrs. Gereth's slow head-shake was tragic. "I couldn't do it again." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"