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Towards the close of the sixteenth century, this castle was in the possession of Ferdinand, fifth marquis of Mazzini, and was for some years the principal residence of his family. He was a man of a voluptuous and imperious character. To his first wife, he married Louisa Bernini, second daughter of the Count della Salario, a lady yet more distinguished for the sweetness of her manners and the gentleness of her disposition, than for her beauty. She brought the marquis one son and two daughters, who lost their amiable mother in early childhood. The arrogant and impetuous character of the marquis operated powerfully upon the mild and susceptible nature of his lady: and it was by many persons believed, that his unkindness and neglect put a period to her life. However this might be, he soon afterwards married Maria de Vellorno, a young lady eminently beautiful, but of a character very opposite to that of her predecessor. She was a woman of infinite art, devoted to pleasure, and of an unconquerable spirit. The marquis, whose heart was dead to paternal tenderness, and whose present lady was too volatile to attend to domestic concerns, committed the education of his daughters to the care of a lady, completely qualified for the undertaking, and who was distantly related to the late marchioness., Ferdinand, in escaping from the hands of the banditti, it was now seen, had fallen into the power of his father. He had been since confined in an apartment of the castle, and was now liberated to obey the summons. The countenance of the marquis exhibited a ghastly image; Ferdinand, when he drew near the bed, suddenly shrunk back, overcome with horror. The marquis now beckoned his attendants to quit the room, and they were preparing to obey, when a violent noise was heard from without; almost in the same instant the door of the apartment was thrown open, and the servant, who had been sent for the marchioness, rushed in. His look alone declared the horror of his mind, for words he had none to utter. He stared wildly, and pointed to the gallery he had quitted. Ferdinand, seized with new terror, rushed the way he pointed to the apartment of the marchioness. A spectacle of horror presented itself. Maria lay on a couch lifeless, and bathed in blood. A poignard, the instrument of her destruction, was on the floor; and it appeared from a letter which was found on the couch beside her, that she had died by her own hand. The paper contained these words:, “Did you get your men?”.