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“Oh, please, mister, sir, don’t hurt Bouncer. I’d rather you’d hit me. He’s the best dog ever lived, and I won’t let you hurt him.” Her courage grew as she spoke, and he stopped his search and glanced her way. She looked up, bravely pleading for the dog she hugged harder. “Why, Billy? I don’t believe in whipping unless all else fails.” “Yer a reglar Mis’ Barnum,” he praised. Whereupon the enterprising program-maker began to devise new and more wonderful side-shows for her admirer..

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Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “Don’t Betty look jist too sweet,” she murmured when she had finally located the child, “Her hair looks as ef she had got tangled up in the milky way an’ there was nothin’ on it but star-dust.” “This here flower aint a mornin’-glory, but the leaves is mighty like it, an’ the flowers is jist as purty.” Moses explained..